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April 12, 2003: Alicia Korten Smithsonian Associates 2003 |
[
Introduction ] [
Jumpstart Storytelling ] [
Values ] [
Putting Story to Work ] [
Future
Stories ] [
Springboard
Stories ]
[ Seth Kahan ] [ Alicia Korten ] [ Rob Creekmore ] [ Madelyn Blair ] [ Steve Denning ] [ Paul Costello ] [ Chronology of Storytelling ] [ Golden Fleece Group ] [ Dave's Story ] [ Preparing the story ] |
Alicia Korten Transcript of the April 12, 2003 session at the Smithsonian Associates |
She’s also someone who embodies a commitment
to values, and the importance of values in people’s lives, as you’ll
see in the session. It’s also important to mention
that she is one of the reasons why we’re having this whole weekend
of storytelling. When I was discussing with her this workshop which
was going to be on Saturday, she said, “Why just one workshop? Why
not a whole weekend? Why not a storytelling theater? Why not a walking
tour?” So this little vignette brings out some of the strategic insight
that she brings to issues. So without further ado: Alicia Korten (applause) |
One of the peoples I worked with were the Kuna peoples
of Panama. I lived in Panama and was helping to ensure their participation
in the planning of road projects for their lands. These were
projects that were often funded by U.S.-based institutions – development
banks, U.S. government agencies. And they were projects that historically
had excluded indigenous peoples from the table. The Kuna peoples
often had no voice in how those projects were moving forward. So I
was helping them to ensure that seat at the table – and provide opportunities
for the many parties with interests in these projects to find creative
solutions for the sustainable development of the region. What I’m going to do in the next hour – is to tell you a story about some of the meetings of the Kuna – and how they are using stories to connect to their values, to help them as a community to embody their values more fully, and to drive decisions that are based on those values. And then I will be doing an exercise with you to take some of the principles of these meetings and translate them into something that you can use in a Western context and in Western organizations. Now I had grown up in many cultures so I wasn’t completely naïve when I arrived in Panama – but these Kuna meetings were unlike anything I had ever seen. Let me take you to one of those meetings now. |
headdresses, and these beautiful brightly colored blouses.
They are famous for what’s called a mola that they sew into their
blouses. These molas are layers of multicolored cloth. They
are cut in a way that the cloth forms images often of something from
the natural environment, or an image from an origin story. So
as they walk in they are actually carrying symbols of a story on their
clothes. So all these people are gathering. Men, women, children. And I come in and sit down on one of the hard benches lining the sides of the hut. But not everyone is sitting on benches – there is a custom in the Kuna tradition in which the leaders of the community actually lie in hammocks in the middle of the hut. But remember – this is new to me – this is one of my first meetings of the Kuna – so this strikes me as a bit peculiar. The meeting starts. It begins with a spiritual leader who sings a song of prayer. And then the stories begin. The Kuna are renowned for their oratory skills and they stand up and begin to speak one by one. Sometimes one person will talk for an hour, maybe two hours. Now this has been a very long day and my eyes keep straying to those cozy looking hammocks and the leaders lying in them and you can imagine this isn’t helping my own state any. And here I am watching these leaders – and you know, to my untrained Western eye, it looks like they are sound asleep. (laughter) And as it turned out – they were. (laughter) And there in the middle of this meeting hut – one of the leaders begins to snore. (laughter) And when I leaned over and asked a Kuna colleague what was happening. He says: “Alicia, esta sonando.” Meaning: He’s dreaming, Alicia. I later learn that dreaming in Kuna means “to see in the hammock.” Now if you can get beyond what might appear to be a rather chaotic way of running a meeting – this is fascinating. I don’t want to imply that I understand everything of what was going on, as a Westerner coming in and observing this culture. But what came to me was this: when do we more fully embody a story than in our dreams? We become the characters, the emotions feel so real that they can wake us up at night in fright, or if it’s a good dream – they can leave us in the morning with a clear, peaceful feeling. So what I observed was that these people were embodying these Core Values Stories and then in the process of dreaming they become those stories. And through that dreaming those values become more fully part of them. Now don’t worry – I’m not going to be advocating that everyone here goes to their next meeting with a hammock.(laughter) But there are some principles here that I’m going to try convey to you through the exercise we will be doing together. |
MY FRUSTRATION WITH KUNA MEETINGS
Kuna meetings. Hours and hours of storytelling. To be honest – my reaction wasn’t always – wow, this is amazing! I arrived with a Western mind-set, and when I first began working with them these meetings would often frustrate me. Remember I was helping them to secure participation in infrastructure projects being planned for their lands. Part of my role was to act as a bridge between various indigenous organizations in Panama and people in the United States and Europe who could support them financially and politically – people within the foundation world, the not-for-profit world, the multilateral development institutions, the U.S. government, the media networks. And each one of these parties had it’s own set of pressures, timelines, expectations about how they wanted to support this movement. So I would come into these meetings aware that – if decisions weren’t made there were opportunities that were going to be lost – whether funding proposals, or a bank project cycle deadline or a film crew who wanted to come into the villages and take footage. I knew that at the end of the meeting, they needed to have clarity. How are they going to engage these people? So these stories would unfold and unfold and I would wonder – are they ever going to make the decisions that needed to be made? |
And these Core Values Stories provided an anchor, a
moral compass that could then guide how decisions needed to be made.
And they spoke to them not as one dimensional words – we believe in
autonomy - but as living, breathing multifaceted stories. And these meetings set the groundwork for success after success after success. Through those meetings, they developed a coalition platform - a declaration of principles of what indigenous people wanted before road projects were built through their lands. And then I helped them to link those wishes to people in the United States who could support their claims. The results of that work set national and international precedents. Let me give you just one example. The work got a major international development bank to incorporate civil society into the negotiation process for a development project in the region – that included the paving of a major dirt road in the region. Now this is unprecedented. It’s simply not done – development banks don’t negotiate loans with civil society, they negotiate with governments. But suddenly we have a major bank flying indigenous peoples to Washington D.C. to negotiate this loan. And that project ended up adopting many elements of the declaration of principles that the indigenous leaders had written. The time that I had thought was time “lost” telling stories was actually time gained. Those stories connected people to what was most essential about being Kuna, what was most essential to them as a people, and that rooting allowed them to develop positions and make choices that clearly aligned with the values that they hold. So stepping back to connect to those core values stories is very powerful. And it’s powerful not only in a Kuna context but also for people in Western contexts. When I work with clients, I often start meetings asking them to tell stories about the things that they care about. And sometimes just that simple act of telling these stories – helps the people in the room connect to what is most important to them and helps to align the decisions that they make later in the meeting with the things that they care about most. The simple act of telling the story helps align them with their values. |
If you remember from the story, dreaming
is very important in the Kuna meetings. Through dreaming we become
the story. So the values are not a one dimensional word – but
a multifaceted diamond, with many layers, many meanings. And
through becoming the story – we begin to embody those values that
we hold most dear. I’ll be taking a couple minutes to help you to get into the right side of your brain – this is a place of pictures, of creativity, of dreams. It’s not the place of words and analysis – which is the left side of the brain. After I’ve done a warm up exercise with you, I’ll ask you to tell a story about an every day act that someone in your organization or your life did that you admired or that touched you in some way. I’d like you to not grab at a story just yet. Just hold the question in a space of unknowing of what will emerge. Remember the Kuna listening with his eyes closed in the hammock. I want you to hold that image as to how you feel in your body. I want you to get you in a relaxed state. Like to bring you into a relaxed state by asking you to focus on your breath for a moment. If you’re breathing in your chest – see if you can drop your breathing into your belly – so you are taking deep breaths. Now let emerge in you that story of an every day act that someone in your organization or your life did that you admired or that touched you in some way. See if you can let images emerge of a person or a feeling, sounds and smells. See if you can start to feel that story as if you were there right now with that person who has touched you. See the color of their hair, their eyes. And see if you can find within you that thing they have done that has touched you. See what story emerges inside of you. (music plays) (I.42.1.10) What person has touched you. Someone you admire. Try to hold the image of that person and imagine that the values that they embody are moving through you. When you’re ready, open your eyes. Do people feel like they have a story? Now take that first worksheet, and I want to invite you to draw a symbol of that story you just imagined. I’m inviting you to draw because stories are like dreams. Dreams are a place of pictures. I am encouraging you to draw – but if that is uncomfortable, write or just reflect for a few moments. (Participants draw images of their stories and then get into groups of three.) |
These core value stories
are sacred stories. Stories that have a special place within the realm
of storytelling. These are the stories that connect us to what is
most essential to our being. You can do this process as individuals
or as collectives in organizations, coming up with a set of common
values within an organization. Since we only have an hour, I’ve
chosen to work with you on the initial stage – helping individuals
within a team connect to their own personal Core Values Stories. Now, to close the session, I want to ask three people who feel that they have a story that needs to be shared today, to come forward. |
her coach that she had decided to become an actress. Not just an actress but an Academy-award winning actress. I don’t know what I would have said, if I had been Kathy’s coach at that time. I am grateful that I was not. What my friend – her coach – said was: “Great! What a great idea! Go for it!” So Kathy started taking acting classes. Kathy died two months later on the way to her dream. The symbol that I drew for this story was an Academy award, which Kathy won. My core value lesson from this story is that I will never, ever, ever close down possibility for another human being. |
become a waterman. You try to find the major source
of that river. It’s like: “There must be a Mississippi here!” This
stream is flowing stronger and stronger towards the sea. I think that we’re mapping our values and our aspirations of today, and our hopes at the beginning of the day. When you’ve unwrapped a hope, when you’ve mapped what’s underneath a hope, you find: a value. Because a value is really what we most treasure. So this day starts to “unpack”. We’re mapping. We start the day with the sharing of the quick stories. Now we move to the next level. Alicia comes from the anthropological tradition. It’s one of the streams that informs this continent of story and storytelling. She spoke about the Kuna. It reminded me of the Margaret Mead’s, the Gregory Bateson’s, the people who have mapped that. With the stories that we’ve heard this morning so far, we’ve gone to Panama. We’ve gone to the Chesapeake Bay with the watermen. We’ve gone to Hawaii. People who work with stories are anthropologists. We sit. We listen. We get inside an experience and a people. But something else has happened today. We’re not in Panama. We’re not on the Chesapeake Bay. We’re not in Hawaii. One of the things about being an anthropologist of the every day, is that you sit and listen and observe and treasure what’s happening in this very chemistry that we’re creating, so far in the first three or four hours of our day. So thanks again to Alicia. She brings that stream to this rich continent of story. We’ve whetted our appetites now. Isn’t it interesting? What’s next? Can’t wait! (laughter, applause) Steve: What’s next is Rob Creekmore. |
Blair |
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steve@stevedenning.com www.stevedenning.com |
Costello |
paulstorywise@yahoo.com www.storywise.com |
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Korten |
Tel.
202 364-5369; |
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by Steve Denning (October 2000) Butterworth-Heinemann, Boston, USA Paperback - 192 pages. ISBN: 0750673559 |
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